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The future of the Xbox looks a lot like a PC – The Verge

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Microsoft’s gaming chief has been dropping a lot of hints about the future of Xbox recently.

p>span:first-child]:text-gray-13 [&_.duet–article-byline-and]:text-gray-13″>

The Microsoft Xbox game logo against a green and black background.

a:hover]:text-gray-63 [&>a:hover]:shadow-underline-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-underline-gray [&>a]:shadow-underline-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-underline-gray”>Illustration by Alex Castro / The Verge

When I reviewed the Xbox Series X nearly four years ago, I called the console a “next-gen PC.” Not only did the Xbox look like a PC with its boxy, rectangular, tower-like case but it also felt like one thanks to hardware upgrades that allowed it to run games with a variety of PC-like graphical modes. Now, as we approach the next generation of Xbox, it looks like Microsoft is about to close the gap between Xbox and PC even further.

Microsoft Gaming CEO Phil Spencer has teased some potentially massive Xbox platform changes in recent weeks. At the same time, leaked internal memos have revealed an increased focus inside Microsoft on Xbox game preservation and forward compatibility. When you put all the breadcrumbs together, it feels like we’re about to see Microsoft combine all the good parts of Windows and Xbox for its next-generation console.

Spencer recently said in an interview with Polygon that the Xbox team is thinking about how to open up its ecosystem and embrace PC stores like the Epic Games Store and Itch.io. It’s a radical rethinking of the Xbox console model, and Spencer doesn’t usually tease things like this unless it’s something Microsoft is seriously considering.

To be able to open up the Xbox to PC stores and embrace a more open model, several things need to happen that I get the sense are in motion inside Microsoft. First and foremost, it will need to make the console capable of running PC games.

That doesn’t mean Xbox owners will suddenly be booting into a Windows desktop with a Start menu and pop-up ads for Bing, but it could mean that a future Xbox console would lean more toward the PC side of game development. Microsoft has been trying to bridge this development gap for years, with projects like GameCore, a method that makes it easier for developers to package up games that use both Xbox and PC services and run as container-based apps.

While Microsoft has promised “the biggest technical leap ever in a generation” for its next Xbox console, the company has also set up a new team dedicated to preserving existing Xbox games. “We are building on our strong history of delivering backwards compatibility to our players, and we remain committed to bringing forward the amazing library of Xbox games for future generations of players to enjoy,” Xbox president Sarah Bond wrote recently in a leaked internal memo.

This feels like a team being set up to transition away from the idea of Xbox and PC games being two separate things, while also ensuring that existing games continue to run on future consoles that adopt this new way of operating. It would open up the Xbox to run a lot more games and make it easier on developers.

Microsoft opening up its Xbox console to rival PC stores comes with some risks and rewards, but it shouldn’t come as a surprise. Two years ago, Microsoft said it was committed to opening up its Xbox platform to the app store principles it put in place for its Windows app store, which allows developers to use alternative systems for in-app payments. “We will build our next-generation game store based on these new principles,” said Microsoft president Brad Smith at the time.

If Microsoft does go down this road, opening up the Xbox platform will dramatically shift the economics of Xbox console hardware. Microsoft typically sells its Xbox consoles at a loss that it recoups through sales of games. If rival PC stores are on an Xbox, then subsidizing hardware gets far more complicated and could lead to more expensive consoles.

Spencer admitted in an interview with Polygon recently that subsidizing hardware is “more challenging in today’s world” of pricey components and a lack of overall console market growth. “So I think, what are the barriers? What are the things that create friction in today’s world for creators and players? And how can we be part of opening up that model?” asked Spencer.

Opening up the underlying model of Xbox to be more PC-like could also enable third-party Xbox consoles in the future. That doesn’t mean Microsoft will walk away from Xbox hardware, but if it’s doing lots of software work to open up its platform and make it easier for developers to build games, then why not extend that to even more hardware?

All of these potential Xbox platform changes will also apply to handhelds, and I think this is a big part of Microsoft’s overall thinking here. Valve has shown that the Steam Deck is a viable console, years after it tried and failed to make Xbox-like Steam Machines a reality. The Steam Deck is powered by a custom Linux OS that utilizes Proton, a compatibility layer for Windows games to run on Linux. Proton has been key to making Steam Deck a success because, without it, developers would have to do a lot more work to port their games to Linux.

Microsoft is rumored to be working on an Xbox handheld, and while I’m not expecting the traditional next-generation Xbox console to run on Arm-based chips, I think they make a lot more sense in an Xbox handheld form factor. For an Xbox handheld to be successful, it will have to leverage the strengths of Windows and Xbox in a smart combination.

On The Vergecast, I recently discussed my ideal for an Xbox handheld. It would run Windows at its core but never expose this to you so it looks and feels like an Xbox console, but if you want to run Steam games or Xbox games, you can. Microsoft has the ability to run the Xbox OS on Windows and has experimented with doing exactly that in the past.

The Steam Deck might have only sold a few million units so far, but it represents the biggest threat to Xbox consoles and Windows-based PC gaming ever. Valve has managed to create a console-like experience for PC games, and it has access to all of the best Xbox- and PlayStation-exclusive games through its Steam store.

Microsoft’s response to the Steam Deck has been muted so far, but the company has formed a new Xbox Experiences and Platforms team that will help improve the Windows experience on handhelds.

“I want to be able to boot into the Xbox app in a full screen, but in a compact mode,” said Spencer recently, discussing handhelds in a Polygon interview. “Like I want it to feel like the dash of my Xbox when I turn on the television. [Except I want it] on those devices.”

If Microsoft can pull off merging Xbox and Windows together, it might truly achieve its “Xbox everywhere” vision — the idea that every screen is an Xbox.

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A ‘cosmic glitch’ in gravity – Science Daily

A group of researchers at the University of Waterloo and the University of British Columbia have discovered a potential “cosmic glitch” in the universe’s gravity, explaining its strange behaviour on a cosmic scale.

For the last 100 years, physicists have relied upon Albert Einstein’s theory of “general relativity” to explain how gravity works throughout the universe. General relativity, proven accurate by countless tests and observations, suggests that gravity impacts not simply three physical dimensions but also a fourth dimension: time.

“This model of gravity has been essential for everything from theorizing the Big Bang to photographing black holes,” said Robin Wen, the lead author on the project and a recent Waterloo Mathematical Physics graduate.

“But when we try to understand gravity on a cosmic scale, at the scale of galaxy clusters and beyond, we encounter apparent inconsistencies with the predictions of general relativity. It’s almost as if gravity itself stops perfectly matching Einstein’s theory. We are calling this inconsistency a ‘cosmic glitch’: gravity becomes around one per cent weaker when dealing with distances in the billions of light years. “

For more than twenty years, physicists and astronomers have been trying to create a mathematical model that explains the apparent inconsistencies of the theory of general relativity. Many of those efforts have taken place at Waterloo, which has a long history of cutting-edge gravitational research resulting from ongoing interdisciplinary collaboration between applied mathematicians and astrophysicists.

“Almost a century ago, astronomers discovered that our universe is expanding,” said Niayesh Afshordi, a professor of astrophysics at the University of Waterloo and researcher at the Perimeter Institute.

“The farther away galaxies are, the faster they are moving, to the point that they seem to be moving at nearly the speed of light, the maximum allowed by Einstein’s theory. Our finding suggests that, on those very scales, Einstein’s theory may also be insufficient.”

The research team’s new model of a “cosmic glitch” modifies and extends Einstein’s mathematical formulas in a way that resolves the inconsistency of some of the cosmological measurements without affecting existing successful uses of general relativity.

“Think of it as being like a footnote to Einstein’s theory,” Wen said. “Once you reach a cosmic scale, terms and conditions apply.”

“This new model might just be the first clue in a cosmic puzzle we are starting to solve across space and time,” Afshordi said.

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From Juliet to Cleopatra, Judi Dench revisits her Shakespearean legacy in new book – CBS News

Judi Dench has tackled nearly every female role in William Shakespeare’s plays, from Juliet to Cleopatra, in her illustrious seven-decade career. Together with Brendan O’Hea, a friend and fellow actor, Dench explores her connection with Shakespeare in their collaborative book, “Shakespeare: The Man Who Pays the Rent.”

The title is a nod to how Dench and her late husband humorously referred to Shakespeare.

During the pandemic, while secluded at her home outside London, Dench received a call from O’Hea that set the stage for their book. O’Hea, an actor and director, proposed they discuss Dench’s extensive history with Shakespearean roles.

“We just kind of rescued each other and we rescued each other through Shakespeare,” said O’Hea.

The conversations, which totaled around 120 hours and included plenty of playful bickering, revisited Dench’s illustrious stage career, including her debut as Ophelia in “Hamlet” at the Old Vic when she was just 22.

She followed that with a role in Henry V. She recounted how her co-star, Laurence Harvey, thought she would be taller, leading to some onstage challenges.

“I kept trying to attract his attention,” Dench said as she stretched her neck. “It never worked.”

Some of her now legendary Shakespearean performances have been preserved on film, though she admits to rarely watching them due to her critical eye.

Dench’s venture into film wasn’t straightforward. Despite a director once telling her she didn’t have the face for film, she later achieved international fame as M in the James Bond series starting in 1995, transforming her into a global icon. Her portrayal of Queen Elizabeth in “Shakespeare in Love” earned her an Oscar.

As she approaches her 90th birthday in December, Dench continues to cherish every moment, evident in her decision to get her first tattoo on her 81st birthday. It reads “carpe diem,” which is Latin for “seize the day” — or, as Dench prefers, “savor the day.”

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Four news presenters accuse BBC of ‘grinding down’ women over pay – The Guardian

Four senior female news presenters have accused the BBC of “grinding down” women on pay and failing to tackle persistent pay discrimination at a tribunal court hearing in London.

The presenter Martine Croxall – alongside Karin Giannone, Kasia Madera and Annita McVeigh – accused the broadcaster of conducting a “sham recruitment exercise” after they lost their jobs when the BBC merged its domestic and global news channels last year.

In witness statements the women, aged between 48 and 54, said they had been discriminated against because of their sex, age and union membership.

The four said they had been victimised and suffered harassment, ill-health and reputational damage for bringing their claims, which had resulted in them being off air for more than a year. The BBC has denied the claims.

The women said evidence from a whistleblower would show that the BBC “rigged” the process of recruiting chief presenters for the new BBC News channel in January 2023 and they were “set up to fail in the jobs process”.

In documents the women said that Jess Brammar, the BBC’s then editor of news channels, “privately assured four other chief presenters – two men and two younger women – their jobs were safe, but admitted she couldn’t say much ‘for legal reasons’”.

In witness statements the women said that while some of them were demoted, others faced a pay cut. They added: “No men and no women younger than us suffered these detriments.”

They said reports from clinical psychologists would show they had suffered “negative physical and mental health impacts” because of their treatment by the BBC.

Court documents showed that the women have had multiple equal pay battles with the BBC.

Croxall and McVeigh settled an equal pay claim with the broadcaster in 2014 and pursued a further dispute in 2020 before starting this legal claim. In court documents the women said they accepted a pay revision from the BBC in 2020 after “it became apparent the BBC had allowed its pay for news channel chief presenters to again become tainted by sex”.

Speaking in court on Wednesday, Croxall said discrimination was “baked in” to BBC pay structures. She said she recognised the expense of equalising pay, adding: “I can see why they don’t want to [equalise pay], but it is unlawful to pay women less than men.”

Referring to previous settlements she had made, Croxall told the court: “The BBC grinds you down, it breaks you. You don’t feel like you can continue with it in the moment and that’s why I’m here.”

On the opening day of a two-day preliminary hearing at London central tribunal court the 55-year-old broadcaster, who has been off air since March 2023, said there were “bad structural problems” surrounding equal pay at the BBC that had not been addressed despite repeated promises from Tim Davie, the director general.

Croxall said that over a decade as a union representative she had helped “many women” with equal pay claims and knew that “despite assurances publicly by the [BBC] director general that these issues would not arise again, I knew they would”.

The women are hoping that the evidence put forward on Wednesday could form part of a full hearing, which could take place later this year. Lawyers for the BBC argued that previous settlements should mean the equal pay aspects of their claims should not progress to a full hearing, with a decision yet to be made.

The BBC insists its application process was “rigorous and fair” and also denies the claims that the women were paid less than an equivalent male colleague, according to its website.

In 2020 Samira Ahmed won an equal pay claim against the BBC, two years after Carrie Gracie, a former China editor, won substantial back pay. The broadcaster Sarah Montague has also said she won a £400,000 settlement and an apology from the BBC over unequal treatment. In 2021 the corporation disclosed it had spent more than £1m on legal fees fighting equal pay and race discrimination cases brought by staff.

The BBC declined to comment. The hearing continues.

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